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Casting Organics

Turning Nature's Beauty into Fine Metal Jewelry

Finished cast elements, ready to be incorporated into new pieces of jewelry.
Finished cast elements, ready to be incorporated into new pieces of jewelry.

Casting organic materials involves the following steps:

1) Select and prepare the natural item of your choice

Find an item that's a reasonable size, and has plenty of fine details that you think would translate well to metal. Flexible items can work, as can dried ones. Just avoid using items with excess moisture or residue.

Once you have your organic item, coat it with a sealant such beeswax or jeweler's wax. This will ensure there is something between the plaster you pour later on and the item itself, sealing the item while still capturing some of its details.


2) Spruing

Attach wax rods to your organic object. These will both hold the object in place and create channels through which molten metal will be poured into the mold you are creating.


3) Investing

Place your sprued piece into a flask and pour investment plaster over it.


4) Burnout

Set your flask into a kiln to heat up and burn away your organic object, leaving behind a hollow mold in its shape.


5) Casting

Molten metal is poured into the mold and then left to cool down and set.


6) The Reveal

Once completely cooled, break away the investment plaster to release your cast metal sprue tree. Cut off the sprues and finish as needed. (Filing and polishing for example.)

Now your cast organic is ready to be incorporated into your jewelry designs as you see fit!


Spruing branches with wax to prepare them for investment and burnout.
Spruing branches with wax to prepare them for investment and burnout.

Our goldsmiths have the following to say about the process of casting, especially where it concerns using organic materials:


"Casting is an unpredictable art and science, and every time, fingers are crossed, willing the metal and mold to behave.


There are a myriad of things that can go wrong with any casting, and it’s usually through trial and error that these problems are solved. Molds can break down; metal may not fill or overheat and become porous. Each of these problems are a balancing act and require precision in a process that is half luck and half expertise. This is all true for Lost Wax casting, a process that is thousands of years old. Wax is a material that is well understood and optimized for casting, but even it can have issues if all parameters are not met.


Casting is even trickier when using sub-optimal materials like Organics and Found Objects. The main concerns when casting organic materials is making sure they burn away cleanly, leaving no ash or residue in the mold, and that the materials they are made of don’t react with the investment plaster to erode the detail and stability of it."


Now sprued and ready for action, the branches are placed inside of an investment flask.
Now sprued and ready for action, the branches are placed inside of an investment flask.

"The Burnout Schedule takes care of the first portion, which is the rate and temperature at which the mold in the kiln is fired. By holding the flask at specific temperatures and certain times, you can make sure that all burnable materials are removed. However, because you might be putting anything and everything in there, all with different ignition temperatures, there is no specific Burnout Schedule for organic materials. Bone, for instance, may take extremely high temperatures for an extended period to entirely turn to ash, but small twigs can be removed much more easily.


The second concern is handled by preparation. To keep the investment from interacting with the materials, using a variety of substances to seal them away from the mold is critical. In these casts, I used a mixture of beeswax, shellac, and a low melting temperature, pliable jeweler's wax, often referred to as pink wax. I evaluated the surfaces of each item to gauge what process would be most effective at both sealing the object and retaining its texture before applying it. In this manner, I was able to preserve even some microscopic details, though many will be lost in the overall polishing."


A sprue tree of cast organics in silver. What natural items do you recognize in there?
A sprue tree of cast organics in silver. What natural items do you recognize in there?
“The thrill of seeing the result of a casting is so exciting because it’s never certain. It takes several days of preparation and the moments to know if your effort was successful; truly a job that keeps you on your toes.”

See how Stacey utilizes organic castings in the One-of-a-Kind Collection, or explore the shop to look for pieces of cast organics that have been transformed into beautiful pieces that you can bring home for yourself!

We are always happy to help with any of your jewelry needs.

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